[Tema Oficial] Christina Aguilera cantó con la Filarmónica de Los Ángeles

[JefferXon]

 

https://www.instagram.com/p/CRjxPkojHHx/

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[JefferXon]

El músico Jean "J-City" Rodriguez visitó a Xtina en el backstage del show 1 con sus hijas y se tomaron foto:

 

jeanmusica: 48 hrs en Los Angeles just me and my s

( SWIPE ➡ to see my girls light up when they meet one of their favorite actors/singers @lesliegrace @xtina )

#WeekendTrip #LosAngeles

19 DE JULIO DE 2021 - Instagram

 

 

Shelly Peiken co-escritora de What A Girl Wants visitó a Xtina en backstage al finalizar el show 2 y le regaló un ramo de rosas:

 

Shelly Peiken: Going Tonight! Can't Wait!!!

17 de julio a las 12:44 - Facebook (+)

 

shellypeiken: Hollywood Bowl! Awaiting @xtina. Hoping she’ll sing my song!!! #whatAGirlWants @guyroche @juelconcepts @rocnation

17 de julio de 2021 - Instagram

 

Shelly Peiken: At the Hollywood Bowl. Waiting for Christina Aguilera. Woohoo. Where’s my tri tip ???

17 de julio a las 20:38 - Facebook (+)

 

Shelly Peiken: Stefan brought me backstage passes to see xtina after the Hollywood Bowl show. stay tuned. (I’m

Really excited).!!!

17 de julio a las 22:06 - Facebook (+)

 

Shelly Peiken: It’s been a little over 20 years since I met the woman who changed my life by recording a song I wrote. She’s come a looong way. So have I!! Xtina #WhatAGirlWants — en Hollywood Bowl.

18 de julio a las 10:57 - Facebook / Twitter / Instagram

 

 

Shelly Peiken: Here's another pic with @Xtina after the Saturday night Hollywood Bowl show. I brought her a dozen reds. I'd say she's earned them. #WhatAGirlWants — en Hollywood Bowl.

20 de julio a las 21:39 - Facebook

 

 

juelconcepts: Zero fun was had last night with @shellypeiken @xtina at @hollywoodbowl. Clearly. Swipe to hear her sing #whatagirlwants written by Shelly (you can even hear her say how it changed her life in it) and… was so fun to run into @tigi66 + @andygoldsborough - wish I knew you were there earlier! <3

19 de julio de 2021 - Instagram

 

 

 

El fan Eric Molina logró encontrarse con Xtina mientras saliá del recinto tras finalizar su show 2:

 

ericmolina89: With my girl #xtina !!!!!!! So excited !!!!

18 DE JULIO DE 2021 - Instagram

 

Bonus:

 

ericmolina89: #arianagrande at the #xtina show tonight : )

18 DE JULIO DE 2021 - Instagram

 

[JefferXon]

Christina hizo un after party después de su segundo y último show en el Hollywood Bowl:


 

[BrunoIlusorio]

Nadie comenta nada de lo espectacular que cantó Xtina? Hacía tiempo no cantaba las notas altas tan directas y tan claras como acá... la verdad fue increíble.

[JefferXon]

 

Mel Ottenberg on Christina Aguilera and the Looks He Styled for Her Sold-Out Hollywood Bowl Shows

 

By Mel Ottenberg

July 21, 2021

 

So okay, it was like two weeks ago on a Saturday, and I was feeling behind on my ideas for Christina Aguilera’s Hollywood Bowl performances that I was styling. So I blasted “Dirrty” and “Beautiful” on repeat while I drew, looked at shows, texted with designers, and started to figure it out. I wanted Xtina’s look to be rude and snatched and all about silhouette. And I wanted to be giving some glamour, because NOW more than ever is THE time to make a REAL EFFORT for an audience that is actually LEAVING HOME to see a LIVE PERFORMANCE. I wanted to give the people a bunch of LOOKS, even though I kinda hate reveals and didn’t want to do a bunch of quick changes backstage. So, I started thinking about a catsuit that could look killer on Christina and that would go with anything else we wanted to do. From there, the glamour and the vibes started to come together, and now I’m gonna babble a bit on the looks we created to accompany these backstage Polaroids and stage photos we have for you here.

 

So, Christina was into my idea of her wearing one amazing black catsuit throughout the show with different styling moments for different songs, so I got right to it. The catsuit she wore is really great. It’s designed by L.A. Roxx. They made George Michael’s leather jacket in the “Faith” video, they made Rihanna’s brown leather bustier for her Anti tour (also styled by yours truly), and they’re L.A. costume legends. Underneath, we’ve got some Wolford magic going on, and the rocks are a mix of faves: earrings by Nickho Rey, choker and ring from my pal Giovanna Engelbert’s first collection as Creative Director of Swarovski, and a vintage diamanté necklace from Kentshire, my favorite New York spot for vintage jewelry. The ruched belt was custom made by Anthony Canney, and the boots are Gianvito Rossi. She starts the show singing “At Last,” and then into “Ain’t No Other Man,” and I know it sounds ridiculous to say, because everybody knows it, but she can REALLY, REALLY SING!!!!!!!! Wow.

 

For the first change, we add a draped metallic skirt by M’Lynn Hass, a blinding neckpiece by Laurel DeWitt, and a pair of diamanté cuffs from the Swarovski archives. This was all in a genie kinda Christina vibe for “Genie in a Bottle” and some other big ones.

 

Next, we fuck with some hot sunglasses from Versace, custom leather gloves from Gaspar, and a necklace from the Swarovski archives. I love this look and it’s a great chance to show off Christina’s silhouette. This change would seem really easy, but it was kind of a nightmare backstage, going from one necklace to another… You never know how scary it can be to take off one necklace and put on another one until you’re trying to do it backstage in a tiny dressing room with the music BLASTING and the fans SCREAMING…

 

Okay, so the real moment for a stylist doing Christina for an iconic show like this is doing the full Xtina “Dirrty” moment, because “Dirrty” is fucking supreme. We all gotta bow down to Stripped-era Xtina. I mean, it’s not easy to express yourself that hardcore, and she got a lot of shit for it. I’m sure I was giving a lot of shit for it too (I know I was), but that whole Christina era has aged really well visually and musically. In retrospect, I think what she was doing with how she presented herself with beauty and fashion was really remarkable and great. I think it’s some of the best expression of pop and fashion of the early 2000s, if not THE best!!! LOW FOR SHOW! ON THE FLO!

 

Anyway, I knew I had to bring the house down with this look, and make chaps for Xtina that were right for a 40-year-old. So, tuxedo chaps. The idea was so LOLLLL and fun to me that I NEEDED THEM TO HAPPEN so I called Zaldy, my genius friend and designer who has made so many iconic stage outfits for everyone from Michael Jackson to Britney to every iconic RuPaul look ever. I knew he could turn it by putting his perfect pop fashion spin on the idea of “Dirrty” and chaps, and he really did with these tuxedo chaps. We really got serious about the thong and what the stoning would be, because we knew it was about a stoned thong. I felt strongly that “Vagazzle” was the right reference here, and yes, Zaldy fucking turned it. And this whole getup really brought the house down. This is one of my favorite stage outfits I’ve ever done, for sure. And I bet it’s one of Christina’s favorites now, too. A ring by Dena Kemp and earrings by Briony Raymond complete the look.

 

After Christina made everyone crazy in her tuxedo chaps and vagazzle thong and her insane vocals on “Dirrty” and “Lady Marmalade,” we got deeper into some Versace bangles and two necklaces from my favorite jewelers: an incredible diamanté necklace from Kentshire, and a skinny chain styled with two crosses from 14K. As for rings,  we have a big Medusa from Versace, and a big gold and diamond ring from another fave, David Webb, courtesy of Broken English. This was the right vibe for songs like “Contigo” and “What a Girl Wants,” and look at that waist, right?

 

Then we got into some ballads and “Fighter,” so we remixed a glam old Hollywood Catherine D’lish feathered robe and the best diamond hoops I’ve seen in a while from 14K. I love how this one turned out, mixing the graphic black catsuit with the romantic old Hollywood robe to make some manga warrior fantasy feeling for “Fighter.” Catherine D’lish is so cool. I found her through Courtney Love many years ago and I really dig her stuff.

 

For the finale, Christina sang “Beautiful,” my fave Xtina song. The idea was a giant transparent diva ball gown skirt to go with the catsuit which, a million looks later, we haven’t changed at all. My pal Anthony Canney made the skirt for us, and it felt like the right way to end Christina’s great show fashion-wise. Seven clothing changes and an hour later, we were done. Dirrty fun for the WHOLE family. Should out to my L.A. dream team Abi, Charlie, Jose, M’Lynn and Jaine for really helping me turn Christina out. Also shout out to Sarah Francus, Sophie McNiel, Philipa Price, the show’s creative director, Stephen Galloway, the choreographer and the designer of the dancers’ looks, Kristen Vallow the set designer, Etienne Ortega, who did Christina’s makeup and took all these polaroids, and Iggy Rosales, who did her hair, and to Christina’s whole team. And especially to Christina for being an awesome collaborator and such an inspiring performer. She was so fun to work with.

 

LIKE DAT!

 

Xtina getting ready for her second sold out show at the Hollywood Bowl. Earrings by Nickho Rey, choker by Swarovski, and vintage diamanté necklace from Kentshire. Polaroid by Etienne Ortega: 

 

Backstage. Cleavage by goddess and by Wolford, catsuit by L.A. Roxx. Polaroid by Mel Ottenberg.

 

Last looks with Christina, M’Lynn, Mel and Abi before the second show. Polaroid by Etienne Ortega.

 

Polaroid by Etienne Ortega.

 

Polaroid by Etienne Ortega.

 

Abi, Jose and Christina in the quick change. Polaroid by Mel Ottenberg.

 

Polaroid by Etienne Ortega.

 

Getting that last earring on in the quick change. Polaroid by Etienne Ortega.

 

Polaroid by Etienne Ortega.

 

Polaroid by Etienne Ortega.

 

Another major custom Catherine D’lish robe in our final fitting the day before the show. Polaroid by Etienne Ortega.

 

 

  

 

Fuente: interviewmagazine.com (+, +)

 

[ja23gonz]

Nadie comenta nada de lo espectacular que cantó Xtina? Hacía tiempo no cantaba las notas altas tan directas y tan claras como acá... la verdad fue increíble.

 

la version de Say something de la 2da noche ha sido la mejor interpretacion que he escuchado de esa cancion...con gran soporte! y unos riffs que añadió espectacular...también me gustó Contigo a la distancia (la canta igual que en su inicio, tremendo) y la soltura vocal en At last trmenda tambien..

 

de resto, como dije anteriormente, cantó muy bien! No me gustó mucho el setlist (algo aburrido y repetitivo a mi parecer) pero bueno ella decidió que fuese asi, asi como tambien lo dije, no me suele gustar este tipo de interpretaciones en concierto pues se tiende a improvisar con el publico y no me gusta, no suele realizar las big notes de las canciones pero creo que en este concierto cantó mas de esas grandes notas de las que realmente esperaba.

 

A mi parecer, nunca me han gustado esas versiones de Lady marmalde, Beautiful, it´s mans world, pero de que las cantó super bien las cantó super bien! sobretodo ese momento show que tuvo en Lady marmalde   

 

Vocalmente nada que comentar, no tuvo fallos en las notas que quiso hacer!!! su agilidad impecable! sus low notes cada vez mejores ...twice quizas fue la mas complicada por esa secuencia de runs medio extraños pero igual los hizo suyos!

 

muero por escuchar una nueva balada de christina en español 

[BrunoIlusorio]

Fue un concierto en el que se re-posicionó como una de las mejores cantantes de ahora... creo que todo el mundo quedó medio en shock... estoy contento por eso... sus notas salieron más claras que nunca... hacía tiempo no la escuchaba cantar así... por eso no me aburrió el setlist... porque lo hizo increíble.

 

Ahora ya está lista para mostrar cosas nuevas.

 

Fue como un primer paso a una nueva Xtina muy superior, me dio como esa espina. Literal casi lloro con At Last... wtf.

[ja23gonz]

Fue un concierto en el que se re-posicionó como una de las mejores cantantes de ahora... creo que todo el mundo quedó medio en shock... estoy contento por eso... sus notas salieron más claras que nunca... hacía tiempo no la escuchaba cantar así... por eso no me aburrió el setlist... porque lo hizo increíble.

 

Ahora ya está lista para mostrar cosas nuevas.

 

Fue como un primer paso a una nueva Xtina muy superior, me dio como esa espina. Literal casi lloro con At Last... wtf.

 

Si creo que la intencion de realizar este show fue esa, de reaparecer en los medios para un posterior lanzamiento en ingles o español, creo será en español!

 

creo que otro proyecto futuro podria ser el del halftime superbowl o el de VMA vanguard award...aunq con este tema del COVID y el publico no sé si le apetece...aunq en USA van en ascenso con la vacunacion.

 

lo que me extraña es que si el disco que viene será en español, es raro que apenas como 3 meses se reunió con los compositores para hablar de que era lo que queria...no sé que tan rapido se hace y se produce una cancion, pero me parece como algo pronto para esperar un disco!

 

lo que si me gusta es que vocalmente esta TREMENDA!! ya quiero otra balada que amar...no paro de escuchar FALL ON ME en la presentacion de los AMA´S 2019 ...IMAGINATE!! pero adoro esa cancion!